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04 · Templates

Real surfaces,ready to ship.

The frames the brand travels in: the post page, share cards, slides, and the newsletter. Every specimen renders from the site's own tokens and components, so when the system changes, they change with it.

v1.1.3 · current4 surfaces

01 · Post page

Where every essay lands

The template every piece of writing on irvingspace.com ships to. Below is the latest post's first screen, rendered by the post template itself.

irvingspace.com/writing/the-systems-of-provenance

← Writing log

The Systems of Provenance

AI now generates the analysis, the numbers, and the decisions your business runs on. Trace one back and most companies cannot say where it came from, whether it holds up, what it is worth, or what it has already changed. The problem is no longer what AI produces. It is whether you can trust it.

Title blockNo. 05

Filed under
Systems thinkingAI
Published
2026.07.06
Read time
9 MIN
AI autonomy
L02 · Advise
Drawn by

John Irving · Human

Study the price of bitcoin over the years and the climb can be explained a dozen ways. Some of it is hype. Some of it is supply and demand. Some of it is the technology itself. But under all of those explanations sits a quieter one that holds the rest up: Provenance.

prov·e·nance (noun)

1. The place of origin or earliest known history of something.
2. A record of ownership of a work of art or an antique, used as a guide to authenticity or quality. From the Latin provenire*, "to come forth." — Oxford Languages*

Every bitcoin carries its whole history, every transaction traceable back to the block it was mined in, on a ledger nobody can quietly edit. That history is its provenance, the unbroken record of where a thing came from and every hand it passed through, complete enough to prove it is real. With a bitcoin, provenance is not attached to the asset. It is the asset. Break the chain and there is nothing left to own.

NFTs were sold as the same promise, and for a while people paid millions on it. But the token rarely had authority over what it supposedly proved. Some pointed to an image on a server that could go dark. Others came wrapped in vague promises of access, royalties, or membership that no code actually enforced. The token proved you owned the token. It could not make the world honor what the token was said to represent. When the servers went dark and the promises went unkept, the tokens did not get cheaper. They became worthless.

Here is the part people missed. Provenance only holds value when the record has authority over the thing it records. Bitcoin's ledger does not point at the coin. It is the coin. A record that only points at something it cannot control is not provenance. It is a claim.

Post page · “The Systems of Provenance”, first screenLive template

Open “The Systems of Provenance” on irvingspace.com →

Anatomy

Header
The accent band with the white grid. Headline in Archivo 800 at 56px; the excerpt sits under a 48px rule.
Title block
Paper card, 432 wide, one ruled row per fact: filed under, published, read time, AI autonomy (AI posts only), drawn by. The sheet number sits in the bar.
Sheet
Paper, 960 wide (8 columns). The 120 margins leave a 720 prose column (6 columns).
Prose
IBM Plex Sans 19/30 in ink-2. H2 in Archivo 700 at 32/40. Quotes in Archivo 500 at 24/36 behind an accent rule.
Figures
Code-drawn SVG or an image with an ink outline, captioned in mono.

Figure layouts

DEFAULT · 720WIDE · 960FLOAT · 360

Default fills the prose column. Wide takes the sheet. A float hangs 3 columns into the margin; below 1240 it falls back to the column.

02 · Share cards

How an essay travels

The first touch on a feed. Each card carries the logo and the URL, because it travels without the site around it.

Open Graph1200 × 630
LinkedIn1200 × 627
Square1080 × 1080

Specs

Sizes
Open Graph 1200 × 630 (links everywhere). LinkedIn 1200 × 627. Square 1080 × 1080.
Ground
The vellum ground with its grid, or an accent block with the grid in white.
Type
Archivo 800 headline, two lines broken at the color change. Plex Sans summary. Mono labels on a ground band so grid lines never cross small text.
Always
The logo, a sheet-label eyebrow naming the topic, and irvingspace.com.

Do

  • Break the headline at the color change: line one ink, line two accent.
  • Use the post’s own figure when it has one. It says more than a stock image.

Don't

  • Round the corners, add shadows, or fade the ground into a gradient.
  • Use purple for anything but the author.
  • Crop the URL or the logo to fit a longer headline. Cut the headline.

03 · Slides

When the writing goes to a room

Four slide types, all 16:9, all on the same grid. A deck built from these reads the way this site does.

Title slide1920 × 1080
Section divider1920 × 1080
Content slide1920 × 1080
Closing slide1920 × 1080

Specs

Size
1920 × 1080, 16 columns of 120 with the 24 grid inside.
Title
Archivo 800 at 112/120, two lines, the second in accent. A paper bar holds the logo.
Divider
An accent block with the white grid. Number the sections like sheets: 01, 02, 03.
Content
A figure on paper beside three points at most, and a mono source line at the foot.

Do

  • One idea per slide. The heading is the claim.
  • Draw the figure. A code-drawn diagram beats a screenshot.

Don't

  • Put more than three points on a content slide.
  • Close on a pitch. The last frame is the question, or a thank you.

04 · Email

When writing goes to inboxes

One essay per issue, in a 600px column that holds up in Gmail, Apple Mail, and Outlook without custom fonts.

Issue 14 · 2026.07.06

This week

The Systems of Provenance

AI now generates the analysis, the numbers, and the decisions your business runs on. Trace one back and most companies cannot say where it came from, whether it holds up, what it is worth, or what it has already changed. The problem is no longer what AI produces. It is whether you can trust it.

Read the essay →

Also this week

AI

When Everyone Has the Same Content Operations, What's Your Actual Differentiator?

High-volume content operations were a real competitive moat, until AI made them available to everyone. The moat is gone. What remains is the differentiation that was always underneath it

9 MIN · Read →

IrvingSpace · irvingspace.comYou're getting this because you asked to. Unsubscribe.
Newsletter · “The Systems of Provenance”600 wide

Email-safe

Width
600, one column, fluid on phones.
Type
Most clients don't load web fonts, so Archivo and Plex fall back to Helvetica and Arial. The specimen shows it that way. The wordmark's Georgia is everywhere.
Ground
Flat ground color, no grid: most clients drop background images.
Button
A 48-tall link built as a table cell, accent fill, white label. One per issue.
Footer
Why they're getting it, and a one-click unsubscribe.

Do

  • Lead with the essay’s question. The subject line is a headline.
  • Link to the post above the fold.

Don't

  • Open with “I’m excited to share…” or any announcement framing.
  • Stack calls to action. One essay, one button.